She Who Wanders

Introducing She Who Wanders: A New Series Celebrating Women Who Shape Our Communities


We’re delighted to introduce She Who Wanders, Seismic Sisters’ new community-driven social media series that celebrates the makers, artists, and women whose work shapes the soul of our neighborhoods.

Led by Kim Christensen, Founder and Executive Producer of Seismic Sisters, each episode follows her as she explores local streets with curiosity and reverence for the women building beauty, flavor, and culture around us. 

“She Who Wanders is my invitation to slow down, look closer, and honor the women who power our neighborhoods,” shares Kim Christensen. ”Every stop is a reminder that community isn’t found, it’s cultivated, one maker at a time.” 

This series reflects Seismic Sisters’ continued shift toward storytelling rooted in place and grounded in the everyday brilliance of women at work.

Click here & Wander With Us

Recent Episodes

The Woman Who Made ‘Wrong’ Look Right: A Tribute to Diane Keaton

By Ariel Neidermeier

Diane Keaton at the AFI Life Achievement Award Gala Tribute To Diane Keaton held at the Dolby Theatre in Hollywood, USA on June 8, 2017. Hyperstar/Alamy.

Diane Keaton, who passed away in October at the age of 79, never looked like she was trying to be the prettiest woman in the room. She looked like she was trying to be Diane Keaton, which was a much harder job. In Hollywood, a town that has always rewarded symmetry and obedience, she gave us big pants, bigger hats, and a way of moving through the world that felt delightfully “wrong.”

As she wrote in the opening pages of her 2014 book, Let’s Just Say It Wasn’t Pretty, “When someone says about a woman, ‘I’m sorry, that’s just wrong,’ I tend to think she must be doing something right.” If you want a thesis for Keaton’s approach to life and style, that might be it.

Keaton’s fame crystallized in the 1970s, when women’s fashion swung from prairie dresses and bell bottoms to mod silhouettes and disco styles. Even in a decade defined by freedom, Keaton’s loose, menswear-inspired look in her breakout film Annie Hall felt startlingly original. She walked into the frame wearing a floppy hat, a vest over a shirt, and a tie hanging a little off center — and a star was born.

But her signature look was never one thing. While her menswear ensembles in Annie Hall made her a style icon, she also wore skirts that swung around her calves. She loved monk-like turtlenecks and architectural hats en masse, as if every outing required its own private weather system perched on her head.

Make no mistake, this was not armor that hid her. Her clothes made onlookers look harder. And what they saw was a woman who let herself appear too emotional, too nervous, too giddy, too undone. The stammers, the ums, the half sentences that critics once called “quirky” were simply a woman refusing to sand down her imperfect edges for the camera.

That instinct carried into the choices she made off camera. Keaton had a passion for buying old places—Spanish colonials, farmhouses, romantic piles of wood and stone—and restoring them. Her keen eye for architecture and photography turned into a prolific second career flipping houses and honing the “Diane Keaton effect,” where homes rose in value after her unique touch.

Kim’s Halloween costume homage to Diane Keaton, styled by Sue Yerou of Style Rehab.

She also fell in love, hard, with larger-than-life men and difficult artists. She was candid about how her Godfather Trilogy co-star, Al Pacino, was the great heartbreak of her life—the one she tried to marry and could not. Afterwards, she chose to stay single, adopt and raise children on her own, and to write a different story for her life.

There are women who want the dress, the ring, and the neat ending. Keaton was honest about envying that sometimes. She was also honest about her own hunger for the impossible, for the thing she could never quite have. Instead of bending herself into the correct shape for partnership, she built a world around work, friendship, family, and curiosity. That, too, is a kind of revolution.

What has made Diane Keaton’s life and career so enduring was not her polish, but her permission. She gave awkward, overthinking, big hat-loving women a blueprint: You can be eccentric and magnetic, covered up and intensely desired. You can be “too much” in every visible way and have that be the whole point.

Every time a woman buttons her collar a little higher, puts on pants that make her feel like herself instead of smaller, or decides that “no, actually, I am fine on my own,” she is taking a step in the direction Diane Keaton spent her life pointing toward. Call it the big pants theory of style. You do not have to fit. You have to live.

Diane Keaton Holiday Movie Marathon:
A Style Lover’s Guide

  • Annie Hall (1977)
    The origin story of the necktie and vest. Watching this is like seeing the Diane Keaton wardrobe universe being born in real time.

  • The Godfather Part II (1974)
    Quiet beige, controlled hair, and that final haunted close-up. Style as minimalism, with all the emotion smuggled into her eyes.

  • Reds (1981)
    Long coats, skirts that actually move, and a woman in political chaos who still looks like she was dressed by herself, not a costume designer.

  • Baby Boom (1987)
    Power suits in Manhattan, cozy knits in Vermont. The style arc is literally “what if I changed my whole life and kept the good clothes.”

  • Father of the Bride (1991)
    Soft florals, effortless blazers, and peak “mom who has better taste than everyone but is too busy to brag about it.”

  • The First Wives Club (1996)
    Matching whites, sharp coats, and revenge that looks fantastic from every angle. Proof that middle age can be the best wardrobe era.

  • Something’s Gotta Give (2003)
    The turtleneck saga. Beachy neutrals, writer-at-work linen, and a reminder that a woman in her fifties can own the frame in every sense.

  • The Family Stone (2005)
    Slouchy sweaters, scarves, and a matriarch who dresses like she has a life beyond her children’s drama. Emotional, messy, perfectly Keaton.


SEISMIC SISTERS HOLIDAY GIFT GUIDE 2025

Women Owned Gifts from the San Francisco Bay Area

At Seismic Sisters, we believe gifts mean more when they come from women who pour heart, craft, and purpose into what they create. This year’s gift guide celebrates Bay Area makers and founders whose businesses uplift community, spark joy, and tell beautiful stories. These gifts support local women, small businesses, and the creative spirit of our region.

Curated by Tumay Aslay.

Founded by siblings Deneen, Coral, and David Brown, Brown Estate is Napa Valley’s first Black-owned winery. Their downtown Napa tasting room is warm, stylish, and full of heritage. A bottle from Brown Estate makes a sophisticated and meaningful gift for wine lovers who appreciate craft, legacy, and family-rooted excellence.

Downtown Napa, California

Created by master formulator Julia Faller, Benedetta is a farm-sourced, botanical skin-care line handcrafted in small batches. Their flagship shop in the Ferry Building is a serene destination for clean beauty lovers. Luxurious, nutrient-rich, and made with deep integrity, these products make thoughtful gifts for anyone who loves natural skin care that truly works.

San Francisco Ferry Building

A beloved gluten-free bakery founded by Patti Furey Crane, Mariposa offers artisan breads, pastries, and seasonal treats that feel indulgent and special. Their Ferry Building location is perfect for picking up beautifully packaged holiday gifts. Ideal for those with dietary needs or anyone who appreciates high-quality baked goods made with care.

San Francisco Ferry Building

A woman-owned plant shop known for lush greenery, curated arrangements, and warm earthy design. Moss and Spade creates plant gifts that bring life into any space, from small potted cuties to statement-making arrangements. Perfect for nature lovers, new-home celebrations, or anyone craving a little more green in their world.

Oakland, California

A cozy, woman-owned indie bookstore that celebrates community, curiosity, and the magic of storytelling. Tally Ho curates books with intention and heart. Their gift sets, staff picks, and beautifully wrapped bundles make perfect presents for readers, dreamers, and thinkers. A beautiful place to find meaningful gifts that last beyond the holidays.

Oakland, California

A woman-owned ceramics studio creating elegant handmade pieces that blend sculpture, comfort, and daily use. Their mugs, bowls, vases, and decorative pieces are infused with warmth and artistry. Perfect for gifting something one-of-a-kind, functional, and full of soul.

Oakland, California

Founded by artist Sue Averell, Gallery Sausalito showcases bold, vibrant, contemporary art inspired by Bay Area landscapes and urban life. It is a true gem for discovering original artwork by women. Ideal for collectors or anyone who loves gifting unique, expressive pieces that tell a story.

Sausalito, California

A woman-founded, family-run toy store that focuses on imaginative, screen-free, educational play. With locations across the Bay, Five Little Monkeys offers an incredible selection of quality toys for children of all ages. A perfect stop for holiday shopping with heart.

Multiple Bay Area Locations

Founded by a passionate Bay Area dog mom, Mishka creates wholesome, adorable dog cakes and treats made with clean, pup-safe ingredients. Perfect for pet lovers, their cakes bring extra joy to holiday celebrations and are crafted with the same care you would give to a beloved family member.

San Francisco, California


Supporting women-owned businesses strengthens our communities and keeps creativity alive in the Bay Area. These makers, artists, and founders remind us what local craftsmanship looks like when it comes from passion and purpose. Whether you are shopping small, shopping local, or shopping with intention, we hope this guide helps you discover gifts that uplift the women who keep our region vibrant.

Molly on Storytelling, Community, and the Heart of Love Letters

Interview by Tumay Aslay

Love Letters to the World began with an unexpected season in Uruguay and a thank you letter that went viral. Today it has grown into a celebratory media company co-created by Molly Pacheco and her partner Brian Rashid, shining light on the everyday heroes, neighborhoods, and cultures that make our world feel like home. In their latest chapter, they turn their camera toward San Francisco’s Mission District, honoring immigrant families, Native leaders, small business owners, and culture keepers who pour love into this neighborhood every day. In this conversation, Molly shares the roots of the project, what it means to create inside community, and why love, curiosity, and celebration sit at the center of their work.

For people hearing about it for the first time, what is Love Letters, what is the bigger vision behind it, and how did this vision begin between you and Brian?

Love Letters to the World is a celebratory media company that shines light on the everyday heroes, communities, and places that make this world a beautiful place. The first iteration of this project was an accident of sorts. Brian, my co-creator and partner, got stuck in Uruguay at the start of the pandemic for the better part of a year. This was prior to us meeting. He knew a handful of people in the country at the time, and had to watch from afar as his media and international speaking business came to a pretty drastic halt. 

For those who know Brian, it will come as no surprise that throughout those 8-10 months in Uruguay, Brian dove deep. Seeing, smelling, touching, hearing, everything he could, and thanks to his mastery of the Spanish language, talking with everyone he could. A couple of months before he would finally make his way back to the US, with an espresso in hand, Brian sat at a cafe and penned a thank you to the country, its people, and its majesty. He was moved by the open-hearted neighbors and friends he had made, by the country’s landscapes and waters, its foods, its politics, and pride.  

He says that after writing the letter, he stepped outside and bawled his eyes out. I guess deep down we always know when something life-changing has happened. Shortly after posting the letter online, it went absolutely viral in Uruguay and around the world. People from all over the world wrote to him, sharing that his letter reminded them of what they loved about their country. For those living in Uruguay, it showed them what they had taken for granted. 

A few things became very clear. 1. When people love where they live, good things happen. They are inspired to participate and give back to their neighbors, communities, towns, cities, and countries. 2. No matter who you are, everyone wants their life to matter in some way. 3. There are so many good things happening right around the corner that we may not be aware of. Whether it is because of the divisiveness of the times, the bad news media, our busy lives, or lack of opportunity, it is easy to miss that which is right in front of you. These are the pillars of Love Letters to the World. After leaving Uruguay and a period of reflection/ideation, Brian decided to create Love Letters to the World and made NYC his first stop. We met less than two weeks after his arrival to the city. I was a closeted creative who had spent my 20s in finance and was eager to shift into becoming the filmmaker that I always wanted to be. It was serendipitous. 

Why build a storytelling platform rooted in love, optimism, and celebrating the good? What drew you into this approach?

It’s so easy to be inundated by the bad and the sad these days. We live in a strange time where people are addicted to bad news cycles, doom scrolling, crime shows, and psychological thrillers. This is the kind of content that people wind down with. I’ve been there - and don’t get me wrong, I will occasionally watch a thrilling movie - but I think those things stay in your psyche, especially when not consumed in moderation. Amidst all of this, we are also living in a very divided country/world. And while we recognize that there are problems and that places/systems/people are imperfect, there is already so much attention and energy going in that direction. Love Letters to the World is rooted in love, celebration, and optimism because we believe that love is medicine. And celebration is healing. And through these stories, we hope people are inspired to see what is possible for themselves and for those around them. We really believe in using media as a means to get people off their screens and into the real world.  

Brian Rashid and Molly Pacheco, creators of Love Letters to the World, in San Francisco, California, Nov. 2025
Photo credit: Eva Bendaña, courtesy of Love Letters to the World creators

Love Letters brings together so many voices from you two as creators to local business owners, culture keepers, and community leaders. How did your role evolve within such a collaborative ecosystem, and what does it feel like to help bring this vision to life together?

Brian has always made me feel included in Love Letters to the World. At the beginning, we were brainstorming, and I was soundboarding. There was also the occasional “hey, will you come film me…” And the more I was exposed to the work, the more I wanted to be a part of it. Brian has taught me so much, and thankfully, I learned quickly and have brought my own skills/essence to the work. My mom always jokes about how I never stopped asking questions as a kid, and that’s never really stopped. So I started helping with interviews, and eventually I was shooting, interviewing, editing, and pitching. It’s been the most fun I’ve had probably in my whole life. 

As a storyteller, Brian has phenomenal instincts, and while we are both really excitable and eager to take action in the work, I tend to be the one who calls for a pause. Being Latina and the daughter of immigrant parents has really shaped who I am, and certainly brings a different perspective and an added layer of sensitivity to the work we do. 

Standing on the stage with Brian and sharing the film with the community earlier this month was a true embodiment of love. Love for the work we do, the people we get to highlight, the communities we are honored to learn from, love for each other, and love of life. That may sound cheesy, but it's the truest thing I can say. 

The Mission became the first neighborhood in San Francisco. What made this the natural starting place for you two?

We were drawn to start in the Mission for a few reasons. I am the daughter of two immigrant parents who came to the United States from Mexico with not a whole lot of anything. My parents, their story, their courage, and their love have always inspired me. It felt important to start in a part of the city that truly celebrates the Latino community, its cultures, and traditions. We also chose to live in the Mission when we arrived, so it felt natural to begin this campaign in the space around us.

The Mission is also where Brian worked his first job out of college. He entered an AmeriCorps program where he worked at a local school as a teacher and tutor. It was his first real exposure to the Latino community, and the reason he learned Spanish. His life changed because of that experience, and he wanted to come back and show his gratitude in the best way he knew how.

As you spent time filming, meeting community leaders, and walking the neighborhood, what moments really stayed with you?

That’s a hard question because I have been touched by so much. Sitting down with April McGill for the first time - she is the Executive Director of the American Indian Cultural Center - has to be one of the most vivid moments. Learning about her work, the community and eventually going to the community events has been so special. Going to their Pow Wow drum and dance classes, and their Gathering of Native Americans event were my first introductions to the community. I cherish their trust in welcoming me in.

Seeing, hearing, and tasting all of the Carnaval celebrations this last spring was a two day tour of the senses. There is so much more to Carnaval SF that we got to learn about from Rodrigo Duran. Yes, it is a celebration but there is also an huge economic impact and ripple effect that their work, as well as La Cocinas, has on the community and the city. 

Walking through the Dandelion Chocolate plant with Todd Masonis, and tasting high quality and ethical chocolate was so much fun. Learning about the Latino Cultural District, its murals and alegria, with Susana Rojas of Calle 24, and playing with her dog Cenisa are definitely highlight moments. Definitely meeting Sam Mogannam. I mean he is just one of the most excited and happy people I have ever been around.

Truly, we are blessed to have met with such phenomenal people.

There is a lot of tenderness and respect woven into the film. How did you all approach telling these stories in a way that felt true to the Mission’s spirit?

It was very natural. I guess that it is because the people who are represented in the film are so in touch with their communities and the work they do, and very aligned with values we hold near and dear to our hearts. We have a lot of respect for community centered work - and it is not easy work to do, especially in a time when nonprofit budgets are very tight, and when community aligned or sustainable businesses are competing with convenient or conventional models of business. We admire the leaders, organizations and businesses we highlighted in the film, and I think that truth really shone though the film.

Molly Pacheco, Sam Bogannam of Bi-Rite, April McGill Executive Director of the American Cultural Center, Susana Rojas executive director Calle 24 and Brian Rashid at film premier of Love Letter to San Francisco. Brava Theater in San Francisco, California, Nov. 2025. Photo credit: Eva Bendaña.

The premiere at Brava Theater was powerful. What was that night like for you, and what did it mean for the two of you as collaborators to see this vision come alive?

The word that kept coming to us was BUZZING. We were both vibrating with excitement and joy. It felt special to have so many people who are doing good things together in one room. It felt really pure to have brought everyone together to celebrate each other. Some people knew one another, but there were a lot of new relationships made. That’s some of the magic that you cannot quantify. And it is one of the things that I find so cool about media - the ripple effects. You never really know who a film will reach and how it will inspire them. And I think the same can be said about the premiere itself.

You have talked about being a creative collaborator. What does that look like behind the scenes. What are the parts of the process where you feel most in your element?

I am pretty involved in most elements of the production. From pitching ideas, to storyboarding, reaching out to potential partners and community members to highlight, interviewing, filming, editing, logistics, and more. While we both wear all the hats, I love to storyboard, direct, and interview more than anything. I love to help people get comfortable and open enough to share their experiences. The interviewing process is very intimate for me because there is so much that has to happen before that moment. It’s the culmination of immense personal curiosity, trust building, independent research and exploration of the black/white/grey and color, empathy of nuance, thoughtful questions, and set design. 

When you and your partner step into a new community, how do you two typically work together. How do your strengths complement each other?

Initially, we allow our curious instincts and desire to explore the depths of our surroundings to lead us to people, communities, stories. For example, when we first arrived to San Francisco, I was learning about California tribes, and it really was not sitting well with me to not acknowledge that we are always living on Native land in some way that was more than a verbal acknowledgement. And while this was a personal unrest, I realized that I could use my storytelling abilities to find a way to help elevate ongoing efforts. After doing some research, I learned about the American Indian Cultual Center, and was delighted to learn that they were right here in the Mission District, which is both the Latino Cultural District and the American Indian Cultural District. I met with April McGill, the Executive Director and the ideas and collaborations began. 

Meanwhile, Brian’s mind and tastebuds are being delightfully blown by the delicious pluats, mission figs, Watsonville strawberries and red kiwis at Bi-rite. Only to learn about their commitment to farmers, their non-profit 18 Reasons, which gives low income families access to fresh foods. Of course, this leads us to meeting Sam Mogannom, the owner of Bi-Rite, who is just the deepest breath of fresh air. He’s got an amazing spirit, team and mission. He and his wife Anne, are pillars of light. 

We are open to each other’s perspectives, interests, and have a deep trust in each other’s direction. I think when you know you are working with someone you can trust all around it is easy to lead them and be led by them. That’s how it works for us, at least. 

Q&A with featured guests at film premier of Love Letter to San Francisco: The Mission District. Brava Theater in San Francisco, California, Nov. 2025. Photo credit: Eva Bendaña.

This was just the first chapter of the San Francisco series. What neighborhoods are you excited to explore next?

The short answer is, all of them! San Francisco is a neighborhood city and I am fascinated by the people, worlds, cultures, and subcultures that live within each pocket. 

We are currently working on our Love Letters to Chinatown film, which has been graciously sponsored by the Betty Louie Foundation. We hope to bring a different perspective to each of the neighborhood films. So for this piece we are hoping to get a glimpse of Chinatown from the perspective of Chinese or Chinese-American youth. We are exploring what they love and what they hope for the future of Chinatown in the hopes that their dreams have an opportunity to influence decisions being made today.

I am also really excited about building out a series honoring San Francisco’s nature - from the actual trees, flowers, seeds and sun in the parks, to the people who upkeep the parks, who keep the parks accessible, who advocate for them and who contribute to bringing magic to these spaces. 

We are also very excited to continue the campaign we created in partnership The American Indian Cultural Center to create a campaign called “Why We Stay.” Throughout this series, we shared the voices of Urban Native elders, leadership, youth, and business owners, who are advocating for a physical space for the the cultural center. It’s actually the most surprising thing that I have learned throughout my time here. San Francisco is home to the largest Urban Native community. Yes, we are on Ohlone land, but there are also thousands of native families that were brought here due to the relocation act. And as you can imagine, their children and their children’s children haven’t had the same access to their culture, as they would have back home. The American Indian Cultural Center does a phenomenal job in providing so much cultural programming for the community, in spite of not having a physical center. This campaign is geared towards highlighting the Native community and the need for a cultural center, either through reparations by the city or through a capital campaign. We are excited to keep sharing these stories and uplifting more of the Native community’s stories.

Where do you hope Love Letters goes long term, whether that is within San Francisco, other cities, or worldwide?

I hope Love Letters to the World continues to go to the places where it is needed—places that could benefit from a disruption to a narrative that is no longer helping move things along in a positive direction. Places where really knowing your neighbor or community can boost morale, inspire engagement, and ground people in love. I do believe in life’s angelic whispers and serendipity, so while we are living in San Francisco right now, we are also developing Love Letters concepts and projects around the world.

I would love to bring Love Letters to Mexico, where my family is from, and to Lebanon, where Brian’s family is from. I know that will come in time. But the reality is that there are so many stories, and heroes behind those stories. And there are only two of us. So the real dream would be for Love Letters to the World to be a platform where people around the world  can tell their own stories and celebrate the people in their own communities.

We started the Love Letters Academy to teach young people to film their own community stories on their iPhones. Again, we really want to use media as a tool to get people out into the world. We partner with schools to teach their students the whole production process: how to storyboard, interview, shoot, and edit.

Ideally, we flood the media world with goodness because it’s there and it’s true.

If someone wanted to support the project or get involved in future Love Letters chapters, what is the best way for them to do that?

Thanks for asking that! Get in touch with us through our website loveletters.info and on social media @mollycuules and @brianrashidglobal.

We hope to hear from you!


Listening to Molly makes it clear that Love Letters to the World is far more than a film project. It is a movement rooted in gratitude, curiosity, healing, and hope. Each chapter invites us to slow down and pay attention to the invisible threads that hold a neighborhood together, from immigrant families to culture keepers to the local heroes who show up every day with heart. As Molly and Brian continue their work across San Francisco and beyond, the core message remains the same. Love your community, honor its people, tell its stories, and let that love ripple outward. Because in the end, that is where the next love letter begins.

Daytime Disco: Glitter, Groove, and Giving Back

The disco ball sparkled, the music pulsed, and the sisterhood was strong. Seismic Sisters’ first-ever Daytime Disco lit up Rick & Roxy’s in San Francisco with an afternoon of dance, connection, and community impact.

Guests arrived ready to shine. With mocktails and cocktails in hand, they hit the dance floor as DJ Parrot and DJ deep th0ts spun high-vibe sets that filled the room with pure energy. Sequins shimmered, laughter echoed, and women from across the Bay Area came together to celebrate what Seismic Sisters is all about: joy, solidarity, and community.

Beyond the music, Daytime Disco was a feast for the senses. Attendees relaxed with chair massages by Kneon Massage, got adorned with beautiful art by Maaz Henna Creations, and browsed unique treasures from House of Hara, jewelry and talismans, and adorable baby t-shirts by Fruit Face San Francisco. Tarot readings added a touch of mysticism to the mix, while local creatives showcased the beauty of women-owned artistry in every corner. A silent auction featured items and experiences from Pretty Penny, Malaya Botanicals, Of The Root, The Pilates School, Seismic Sisters and other generous contributors. Promotion of the big event was boosted by fun collaborations with SF Creators Club, The Mamahood and WeSparq.

But this wasn’t just a party — it was a movement. A portion of proceeds went to the GLIDE Women’s Center, supporting women recovering from trauma, violence, and isolation. Seismic Sisters took the impact one step further with a Day of Giving, volunteering together at GLIDE to serve meals and connect directly with the women this event helped uplift.

The giving didn’t stop when the music ended. The Seismic Sisters and WeSparq teams came together to volunteer at GLIDE’s Mo’s Kitchen, helping serve 345 warm meals to our local community. We also had the joy of turning over donations from our Daytime Disco to the incredible Women’s Center.

Every plate, every dance, every dollar—powered by love and community.

What started as a disco became something deeper: a movement of women showing up for one another, proving that activism can be as joyful as it is powerful.

CHECK OUT SOME FUN PHOTOS FROM DAYTIME DISCO:

Stay tuned for our next Seismic Sisters event and follow us on Instagram for our new reel series highlighting Bay Area women-owned businesses, perfect for your next girls’ day adventure.

Better Brands: Giving Back with Purpose.

Better Brands: Giving Back with Purpose

This gallery celebrates Better Brands—a collection of inspiring small businesses that went above and beyond by contributing auction items to Seismic Sisters’ Daytime Disco to raise support for GLIDE’s Women’s Center. Each photo represents not just a product, but a commitment to community, compassion, and equity.


These generous contributors are redefining what it means to be an enduring brand by putting values into action and standing in solidarity with the local community. We thank them for using their platforms to uplift others and help create real, lasting change.

Swipe through and discover our Better Brands series.

HARA

HARA is a home goods and lifestyle brand by Keesa Ocampo that curates handcrafted goods by women and indigenous artisans in the Philippines. Launched in 2022, two months after the birth of her son, she brought her passion project and childhood dream to life. From woven tableware to hand-carved wooden trays, capiz decor to tropical handbags, Hara brings tropical paradise to every home. 

In the islands of the Philippines, ‘hara’ was a pre-colonial Malayo-Sanskrit title given to the highest ranking woman in a community. Like much of herstory, the word no longer exists, unlike its male counterpart, 'hari,' which means 'king.' Through thoughtful curation, HARA strives to reclaim the rightful place of women artisans in the global marketplace.

HouseOfHara.com

Instagram: @houseofharaofficial
Orinda, California

SPOT THE WITCH

Ariel is a second-generation astrologer, tarot reader, poet & intuitive. Her passion is activation. She studied astrology at Kepler College and tarot under the guidance of Lindsay Mack. She’ll be offering personal intuitive tarot readings at Daytime Disco. Book a full astrology or tarot session with her anytime.

spotthewitch.com

Instagram: @spot_the_witch
Lafayette, California

THE ALTON HOTEL

The scenic Alton Hotel offers all amenities you could want–and then some!–from a getaway stay. From fitness centers to pet-friendly rooms, the award-winning Alton Hotel takes your unique experience personally and strives to make all your wishes come true. Spas, wellness programs, social hours, and next-level food and wine make this a standout stay that is sure to make your time away from home unforgettable. 

altonhotelsf.com

Instagram: @altonhotelsf
San Francisco, California

Barbara Lee

Barbara Lee is a Filipina jewelry maker, artist and crafter that tells stories through her creations.  She honors her roots and cultural heritage and tells herstory through every piece in her collections. Barbara’s handmade jewelry is created from exceptional elements, sourced from trusted global sellers or derived from antiques at markets. The thoughtfulness and one-of-a-kind nature of her creations is what big brands cannot recreate. 

Centered around sustainability, every vintage gem or relic is reimagined for modern wear and infused with modern luxury for ultimate wearability. Barbara believes that everyone should have access to special pieces that feel luxurious without a cost to the planet. A percentage of every purchase also goes directly to supporting Filipino children. 

BarbaraLee.co

Instagram: @bybarbaralee 
San Francisco, California

BOTTLE BARN

Located in scenic Sonoma County, Bottle Barn is treasured by the locals for its vast selection of spirits, affordable and accessible prices, and passionate staff. It has been a community staple since 1990. 

Bottle Barn’s mission is to make buying all types of alcohol a fun, knowledgeable and seamless experience. Upon entry, clients are greeted with friendly professionalism and a wealth of expertise from the Bottle Barn team, who are eager to help match them with the right choice from their large offerings. The brand is committed to making this experience shopping for alcohol the most memorable, affordable and enjoyable their clients will ever have. 

bottlebarn.com

Instagram: @btlbarn
Sonoma, California


CHEF TU DAVID PHU

Chef Tu David Phu is both a San Francisco Chronicle Star Chef and partner of San Francisco’s well-known Gigi’s restaurant, a well established wine bar that draws its inspiration from Vietnamese cuisine. Raised in Oakland but with roots tracing back to Phu Quoc, Vietnam, his family’s legacy is grounded in a long-standing and well-loved artisanal fish sauce–and arguably where his love of food and cooking comes from. 

While his career has led him to garner experience in perfecting various types of cuisines–from traditional American foods to classical European cooking techniques–his profound connection to his Vietnamese heritage and what he refers to as the “memory of taste” always reverts him back to his roots and the presence of incredible Vietnamese food offerings in the Bay Area. For this reason, he named his latest book “The Memory of Taste,” which is more than just a cookbook–it’s a celebration of cultural inheritance. From themes of frugality, zero-waste cooking and practical eating, Memory of Taste is a playful collection of recipes that marry Vietnamese cuisine with California sentiment–which highlight Chef Tu’s unique culinary style and the ancient wisdoms that nurtured him to success. 

cheftu.com

Instagram: @cheftudavidphu
San Francisco, California

DOT WINE

Dot Wine is a Sonoma-based husband and wife duo that specializes in the high quality vine of the region. Wise Lise Asimont has over twenty years of experience in winemaking and is ultra talented in her expertise. Having worked for several of the biggest world-renowned wineries and brands in California, Lise is meticulous about managing every inch of their vineyards to never stop optimizing Dot’s wine quality while partnering with her husband to promote sustainability and responsible land stewardship. 

Husband Shawn has over thirty years of experience in gardening and landscaping, employing his art degree to create beauty in nature. Together, they team to offer meticulously crafted wine with a sustainable sentiment that encourages the respect of nature–employing techniques to work with it, not against it. Thus, Dot Wine is the purest unit of both form and function–a direct pipeline of vineyard to bottle. 

dotwinery.com

Instagram: @dotwinerocks 
Sonoma, California

INTERNATIONAL ORANGE

Across the bridge in Marin, IO is now perched above the hustle and bustle of the Marin Country Mart lawn. Inside, the bright, stripped-back space works as a platform for a thoughtfully curated selection of skin and body care, artisan wares and daily wellness essentials. Curved lines and natural light create a seamless flow between the indoors and outdoor patio, where guests can take in breathtaking views of the Bay and the iconic Mt. Tam.

Expertly trained staff guide guests through therapeutic treatments and customized facials. In between visits, guests can create their own sanctuary at home with International Orange Essentials, a head-to-toe range of organic and wild-crafted products designed to elevate the everyday. In our sanctuary, International Orange invites respite, ritual and regular renewal while fostering inner peace, relaxation and self-care for all. 

internationalorange.com

Instagram: @iospawellness
Larkspur, California

MALAYA BOTANICALS

Malaya Botanicals stands as the first Filipina-owned cannabis brand and a family-operated CBD health and wellness company. Its founder Pia T. Barton is dedicated to leveraging her business to destigmatize cannabis while empowering women of color to take charge of their own health and explore alternative healing methods. With the help of CBD based products, Malaya Botanicals believes in giving women back their power to heal and care for themselves long-term in the easiest and most luxurious way possible. 

Malaya focuses on its impact, hoping to reach global communities while campaigning for education and awareness. They do this by advocacy and empowerment of women’s health and wellness by making CBD accessible to those who need it most. Pia and her team are diligent about using the highest quality CBD in their products and work hard to center women’s health through community support wherever it’s needed most. Explore Malaya’s range of wonderfully scented products, from oils to candles, and find what you need most–whether it’s vigorous pain relief or subtle soothing treatments, Malaya is here to help with all. 

malayabotanicals.com

Instagram: @malayabotanicals
Alameda, California

OF THE ROOT

OF THE ROOT is a brand that explores the feelings of unhurried living. For those who move slowly with softness and intention, for those who enjoy the organic shifts in life and in love and for those who trust in an awakened realm of beauty, all seeped in culture.

OTR started as an invitation to discover the wonders of Ayurveda; an ancient healing system from the eastern shores in India. It has since evolved into collaborating with the earth to create products that encourage mindful living, with a focus on beauty, quality and sustainability. 

oftheroot.co

Instagram: @oftheroot
Oakland, CA

OLFACTORIE

“Discover cities through a scent journey” is the essence of Olfactorie’s candle line–and their spa has been providing exceptional holistic care and therapies since 1999. 

Olfactorie Candles was intentionally created to connect the power of place with the memory of scent–delivering reminiscent memories of both landmarks of places and eras of time. Crafted in Oakland by skincare specialist Liz Nelson, Olfactorie employs both soy wax and the highest quality essential oils through handmade techniques. The wood wicks are derived from recycled cedar and cherry wood, and are free from all toxins and harmful chemicals. Transport yourself to another city, to a fond but distant memory, to a place you dream to visit through the luscious scentscapes that Olfactorie offers. 

olfactoriecandles.com

Instagram: @olfactoriecandles
Oakland, California

THE PILATES SCHOOL SF

The Pilates School SF is an accredited school dedicated to the teaching of Classical Pilates. Most students come for personal enrichment and find a supportive and inclusive community where they can achieve physical, emotional and mental goals through movement. They work with all bodies and all budgets to meet them on whatever level they are, and are thrilled to support GLIDE's Women's Center. 

The Pilates School founders are Black, queer, neurodivergent, fat, and excited to show what true Classical Pilates can do for the body and spirit. Their team consists of people that don’t fit the traditional mold of a “pilates body,” which creates an inviting and inclusive environment for all to participate. Within minutes of study at the Pilates School a student is shown that "incredible at Pilates" is not a body type–which speaks to the very mission of their school of thought. 

pilatesschoolsf.com

Instagram: @pilatesschoolsf
San Francisco, California

PRETTY PENNY

For 18 years, Pretty Penny has been a trusted name in the vintage industry, known for curating high-quality, inclusive silhouettes at accessible prices, but Pretty Penny is more than a shop–they are a community. With a focus on social and racial justice and uplifting those most disenfranchised in the local neighborhood and beyond, Pretty Penny employs its longstanding legacy in Oakland to leverage awareness, collective help and give power to those who need it most. A step into Pretty Penny not only offers you a plethora of unique and extraordinary vintage items, but also comes with care, empathy and love from the owner Sarah and her teammates. 

Expect to find both stellar shopping scores and community solidarity within the world of Pretty Penny. Beyond store hours Pretty Penny holds events that invite the community to connect, share and provide resources with one another. They strive to build a vibrant neighborhood where all are welcome, both in-store and online, that values sustainability, individuality, and attainable style. Pretty Penny is a beloved community itself that believes in the power of small business and using that power to help the greater good.

prettypennyclothing.com

Instagram: @prettypennyclothing 
Oakland, California

TINY FOREST PHOTOGRAPHY

Tumay Aslay, an award-winning fine art photographer specializing in newborn, maternity, engagement, family and baby photography. Her ability to highlight special moments of love and connection, coupled with her infusion of feminine energy creates a captivating and poignant series of captured moments regardless of the occasion. Her work is known for its emotional depth and exquisite artistry, and has been featured in well regarded publications like the Huffington Post. Tumay has a natural skill for capturing intimate, natural moments that immortalize life’s most meaningful moments. 

tinyforestphotography.com 

Instagram: @tinyforestkids
San Francisco, California

WeSparq

WeSparq is an Emmy-award winning brand and marketing agency that supports businesses through the positive impact design of brands, campaigns, and content. By empowering brands to find their voice and show up values-forward, WeSparq supports organizations that drive business by thinking digital-first, creating with empathy, and being a force for good in their milieus of influence. WeSparq offers original content creation, thoughtfully considered marketing strategies, and plans for growth tailored directly to the unique needs of every individual client–all while leading with care, empathy and community.  

wesparq.co

Instagram: @wesparq
Orinda, California


Sponsored by

Basslines, Boundaries, and Big Energy

An interview with DJ Parrot

DJ Parrot’s sound is playful, eclectic, and deeply intuitive—built on her roots in European music and a commitment to authenticity. In this interview, she shares what Daytime Disco means to her, how she stays grounded in a male-dominated scene, and why women DJs are changing the emotional landscape of nightlife and beyond.

What inspired you to become a DJ, and how did your journey into the music scene begin?

I was inspired by seeing my friend DJ at a few festivals at the Russian Center on Sutter Street and wanted to do the same. My mom ended up buying me a little set up from Costco that came equipped with 1 turntable, 2 speakers, 1 pair of headphones and an app to create and mix songs. I have been a DJ since I was 12 years old, but finally decided to make it a career only 3 years ago.

Being a female DJ in a male-dominated industry can sometimes be challenging. Have you faced any unique obstacles, and how have you navigated them?

I have had men bash on my skill set because they can never be open-minded and creative like me. There is one person in the SF Bay Area scene that has been walking around tarnishing my name, but all I do is keep soaring higher. They keep talking about me, but I just look forward. I have had to deal with a lot over the past few months due to this person, but thanks to their negativity I have been growing to understand that not everyone can be positive like me. There may be men tarnishing women just because they don't want to see them make it, but it always depends on how you as a person learn to avoid/deal with it. As the saying goes; Haters are my motivators.

Daytime Disco by Seismic Sisters is all about celebrating music and community. What does this event mean to you, and how do you think it fosters inclusivity and creativity?

I believe that music is the only language that we all understand! I love the Glide foundation and helping people who need the most help but are too scared to ask. Music is great at bringing people together during hard and good times. I like to tell a story through my songs. A story of love, creativity and just being yourself. Because no matter what the world throws at you, even if you think everything is wrong, there is always a silver lining showing you that this is the path you need to take.

How would you describe your unique sound or style as a DJ, and what do you hope your audience feels when they hear your set?

I like to have bouncy and vibey sets. I like to read my crowd and play music that we all hear all the time but with a bit of spunk and funk. People know me for my eclectic choices of tunes. Growing up in a European household has opened my ears to many classic hits!

What are some of the key challenges or rewards of playing during the daytime compared to a nighttime set, and how do you prepare for a Daytime Disco event?

I prepare for the set the same way as all my other sets! I go to the venue a few weeks prior, check the vibe of the DJ and the crowd, and shazam a lot, like A LOT!! I like daytime and evening events the same. In the evening people are usually in need of more upbeat tunes, while during the day you can play a few slow tracks here and there! 

How do you think female DJs are reshaping the music scene, and do you see any shifts in the industry that empower more women to pursue DJing?

I see how the female sets are more in tune with what the crowd likes, they are more in tune with what your body craves when it dances, they are more in tune with the emotional level of DJing. Women are more nurturing, so their music comes out more from the soul rather than just what song to play next. I am happy to see artists like BLOND!SH and Sara Landry are making it in the DJ world by just connecting with their inner femininity and letting loose!

If you could share one piece of advice with aspiring female DJs or artists looking to break into the scene, what would it be?

If you are looking to start somewhere I highly recommend just reaching out to local DJ groups and asking them if they have any time or space to teach you a few things about DJing. I also highly recommend just buying a board from FB marketplace and testing it out to see if you are truly wanting to get into the craft! But never be afraid to reach out to whoever is your Idol and message them you want to DJ for them, because sometimes they will respond and it's an amazing feeling!

San Francisco’s Safe Harbor for Women

An interview with JeTon Carey, Senior Director of Women, Children, and Family Services at GLIDE

In the heart of San Francisco’s Tenderloin, GLIDE is a beacon of healing and transformation for women navigating trauma, poverty, and housing instability. We spoke with JeTon Carey, who leads GLIDE’s Women, Children, and Family Services, about how this vital organization fosters recovery, resilience, and radical love.

Could you share a bit about the origins of GLIDE and its core mission in supporting the San Francisco community?

GLIDE was founded in 1963 in San Francisco's Tenderloin district, originally to serve the city’s homeless population. Its core mission is to break the cycles of poverty, homelessness, and oppression. We continue that mission today.

Can you walk us through some of the key programs GLIDE offers that make a difference for women who have faced intimate partner violence, domestic violence, economic hardship, sex trafficking, and housing instability?

Glide offers critical programs such as housing support, mental health, trauma recovery support, economic empowerment and wellness programs aimed at women affected by intimate partner violence, domestic violence and sex trafficking. These initiatives focus on providing stability and rebuilding lives.

What drew you to work with GLIDE, and how has your role as Senior Director of Women, Children, and Family Services shaped your perspective on community service and advocacy?

Coming from a background where access to opportunities was limited, I’m passionate about working with those who face similar struggles every day. Being part of Glide is my way of turning my personal journey into a collective effort to lift others up and break cycles of poverty and neglect. I’m inspired by the work I get to do every day.

Could you share a story that highlights the positive impact GLIDE has had on the lives of women in the community?

A woman who had been trafficked found refuge in GLIDE’s programs. Over time, she rebuilt her life through counseling, job training, and supportive housing. Today, she’s a mentor for others, showing how GLIDE’s work truly transforms lives.

What are some of the biggest challenges GLIDE faces in delivering its services, and what are some of the most valuable lessons you've learned in your role?

One of the biggest challenges is securing consistent funding to meet the demand for services. A valuable lesson has been the importance of community partnerships and collaboration to ensure sustainable impact.

Women’s Center’s Team: Program Director Olivia Onek, Senior Director Je Ton Carey, and Case Manager Loria Price.

"Leading with love" is a powerful mantra for GLIDE. In your experience, how does this approach influence the programs and the overall environment at GLIDE?

Leading with love means showing women compassion and respect, creating environments where they can heal, grow, and thrive. Every woman deserves the support to step into her power.

For those in the San Francisco community who wish to support GLIDE’s work to support women, what are the most effective ways they can contribute?

The community can contribute by donating, volunteering, and advocating for policy changes that support our work here at Glide. Supporting GLIDE’s mission through these channels helps sustain its critical programs.

Looking ahead, what are some of the goals you have for GLIDE’s work, particularly in relation to supporting San Francisco women?

Our goal is to expand support for women in San Francisco by strengthening holistic programs that address housing instability, economic empowerment, mental health, and wellness. We aim to create comprehensive pathways that nurture women’s physical, emotional, and financial well-being, ensuring they have the resources, care, and opportunities to thrive in all areas of their lives.

On a personal note, how has leading these initiatives at GLIDE impacted you, and what keeps you motivated to continue this work?

Leading these initiatives at GLIDE has deeply humbled me and strengthened my commitment to social justice. Seeing the resilience and strength of the women we support inspires me every day. What keeps me motivated is knowing that, by working together, we can create lasting change and offer women the chance to rebuild their lives with dignity and hope. Their stories of transformation fuel my passion to keep pushing forward in this work.

To close, what message would you like to leave for our readers about the importance of supporting organizations like GLIDE and staying engaged in community service?

The work of organizations like GLIDE is a reflection of our shared humanity. When we step up to support those who need it most, we’re helping to break down barriers and build opportunities for all. Community service is a powerful reminder that we are stronger together, and that by lifting others, we lift ourselves!

The Frequency of Femme Power

An interview with DJ deep th0ts

From organizing women-centered parties in NYC to commanding dance floors with her powerful, emotional sets, DJ deep th0ts brings spirit and intention to every beat. We sat down with her to talk music as medicine, femme anthems, and the importance of creating safer spaces for self-expression and joy.

Stephanie Gancayco/DJ deep th0ts. Photo by Rod Rosete

What inspired you to become a DJ, and how did your journey into the music scene begin?

I'm blessed to have been exposed to great music from a super young age. Both of my parents are music lovers; my dad and his siblings are jazz musicians and my grandpa was a bandleader and music professor. So they would bring me to really legendary concerts and music was always playing in both my mom and dad's homes when I was growing up: soul, jazz, classical, opera. Legend has it that when I was born my grandpa saw my fingers and immediately declared "she'll be a piano player!" I took lessons for a few years as a kid but had a traumatic recital experience where I completely blanked out and choked mid-Beethoven and promptly quit! 

Delving into subcultures and underground scenes has always been my thing and is such a constant source of inspiration. I've always loved digging and finding new music and new artists across all kinds of genres. I started producing women-centered parties in NY in 2017 through my media brand, Hella Pinay, and a lot of my DJ/artist friends would always encourage me to DJ myself because of how much I love curating the vibe of a room and sharing music with people. To me, DJing is like composing in a way; so I guess it satisfies that drive to play music for an audience but without having to actually create it from scratch. More than anything, I DJ because music and dancing are how I connect to spirit and feel free.

Being a female DJ in a male-dominated industry can sometimes be challenging. Have you faced any unique obstacles, and how have you navigated them?

I'm honestly really grateful to say that I've only had one memorably negative experience with a male DJ I was on a lineup with. He treated me like I was dumb and didn't know what I was doing, but it was clear that he was acting that way because I'm "a girl" and I generally dress pretty young. I called him out to the promoter and he must have told the DJ because after his set he came up to me and was super mortified and apologetic. I accepted his apology but definitely let him know that I felt disrespected, and why. 

As a woman DJ—as with women in many professions, especially performers—I feel like there's still a lot of focus on looks that male DJs don't really have to deal with. Also it's funny to me that people are impressed if a woman can do something that's typically been associated with men in the past, like DJing or playing guitar or drums or whatever. I think it's unfortunate that women are often assumed to not be able to do things until they prove themselves otherwise. I just try to focus on putting forward my best and let the work speak for itself.

Daytime Disco by Seismic Sisters is all about celebrating music and community. What does this event mean to you, and how do you think it fosters inclusivity and creativity?

I love that it's not just a woman-focused event with wellness components, but one that also benefits the Glide Women's Center. It's so important to protect women and provide spaces and resources for their safety and support!

How would you describe your unique sound or style as a DJ, and what do you hope your audience feels when they hear your set?

That's kind of difficult because my style is super open format and can kind of jump all over the place in terms of musical genre. I guess what ties everything together is that my sound is based in electronic music and I'm usually telling a story or calling upon a particular feeling when I put sets together. Hopefully I'm taking the crowd on that journey with me! Honestly, I just play what I like and what expresses the emotions I feel at that particular point in my life (I'm a Scorpio haha) and I love when the audience feels the feels! I also love playing super femme power anthems - I love when women in the audience feel themselves and feel powerful and sexy.

What are some of the key challenges or rewards of playing during the daytime compared to a nighttime set, and how do you prepare for a Daytime Disco event?

I loveeeee day parties! They just have such a different vibe from nighttime clubs and raves. I feel like people who come through to day parties are super down to have fun and dance. Day parties always feel so cute and celebratory.

How do you think female DJs are reshaping the music scene, and do you see any shifts in the industry that empower more women to pursue DJing?

I think the fact that there's a lot more women DJs in general now is super encouraging to women wanting to break into the industry, and across all kinds of musical genres. I feel like social media has also created a lot of opportunities for DJs to get discovered, especially during the pandemic when so many DJs were streaming on Twitch and were able to build audiences there. There's so many incredible women DJ/producers who have even founded their own labels, like Nora En Pure and Sara Landry, who play major festivals and are absolutely killing it. It's always super inspiring to see them perform and have women like that to look up to.

If you could share one piece of advice with aspiring female DJs or artists looking to break into the scene, what would it be?

The same advice I give everyone, regardless of what their interest is: if you want to do something, just do it! Do it now. You don't have to wait until everything is perfect. Just try it out and see if you like it; if you do, practice more and do it again. The first time I DJ’d I was sooooo nervous because I'd only been DJing at home by myself for a couple of months and I was opening for four super talented, experienced DJs, and the party was packed. But they were all so encouraging, I really liked the music I was playing, and the crowd response was amazing! Practice, be yourself, believe in yourself, play what you love.

Stitching Change: Shannon Downey's Craftivism Revolution in 'Let's Move the Needle’

By Ariel Neidermeier 

Artists Give, by Shannon Downey

In a world where activism often feels overwhelming, Shannon Downey, the creative force behind Badass Cross Stitch, is stitching her own brand of revolution. Her new book, "Let's Move the Needle," arrives just in time for the 2024 election aftermath, and aims to elevate cross stitching from a craft-forward movement to one that places activism at its core, providing readers with the tools they need to become true change-makers. 

As a queer, anti-racist, feminist and anti-capitalist artist, Downey's unique blend of humor, creativity, and strategic activism has made her a standout voice in the craftivism movement. Her work challenges the status quo, amplifies marginalized voices, and proves that art can be a powerful catalyst for long-term societal transformation. 

We spoke with Downey about her vision for the future of craftivism, and how she's using needle and thread to stitch together a more just and equitable world.

 Mind the Gap, by Shannon Downey


1. Your book "Let's Move the Needle" focuses on art activism. How do you see craftivism evolving in the current political climate?

Honestly, I wrote this book to help push the movement towards a more rigorous and strategic approach to the activism portion of art artivism and craftivism. I see that craft has created a gorgeous gateway into activism for many (especially women) over the last decade and the momentum seems to only be picking up - especially leading into the election. “Let’s Move the Needle” exists to support those who are finding their way into activism through artistic mediums but don’t necessarily have the training or experience that would help them propel their projects, campaigns and outreach to the level of change making that they desire. 

2. As a prominent voice in the craftivist movement, how do you think creative forms of protest can amplify women's voices and concerns in today's political landscape?

I think anything unexpected or subversive draws attention. I am LOVING what I am seeing with so many people of marginalized genders using their creative talents to tell their stories and speak their truths. They are finding endless ways to do this through artistic mediums and their visual nature makes them ripe for social media. These digital tools allow for the mass spread of these messages which in turn inspires others to share their stories and truths. The ripples lead to connections. The connections lead to actions. The actions lead to change.

3. Your "Boys Will Be Boys" design drew significant attention. How do you choose which societal issues to address through your cross-stitch art?

I address whatever I feel called to address. I work in so many different movements that there is always something that needs to be addressed. I try to use my work to bring attention to the issues and most importantly, the actions people can take to address those issues. I really see my role as a recruiter and trainer of burgeoning activists. By shining a light on an array of issues, I am constantly able to bring new comrades into the fold. What might inspire someone might not be interesting to someone else. It’s about helping people find their passion on issues and providing them with the connections to movement leaders so that they can go forth and create change without reinventing the wheel.

4. Can you share an example of how your craftivism has directly impacted a social or political issue, particularly one affecting women's rights?

To be fair, I think all actions have an impact. That said, a more recent example is what I call philanthropic craftivism. When Roe fell, I gathered together 11 prominent craftivists and we developed a year-long fundraising campaign to support Abortion Access Front. The goal was to show up in a way that didn’t require much of the organization but would support them in developing consistent monthly donors. Too often when a major event like this happens, people throw a ton of money at those leading the work but then those donations fall off as people normalize the new reality or are distracted by other issues. I wanted to help stave that off. Each artist created a pattern and we started a pattern of the month club. For a year, anyone who donated at least $10 to AAF would get that month's download as a thank you. At the end of the year we turned all 12 patterns into a bundle and folks who donated over $60 could buy all 12. We were able to raise $5000 for AAF with little work on their end. More importantly, we were able to help folks understand the importance of consistent sustained giving. 

Pro Medical Procedures, by Shannon Downey

5. Your work often combines humor with serious messages. How important is this balance in engaging people with pressing societal issues?

It’s the most important in my opinion. If you can take a serious topic and find a way to infuse it with humor people are much more likely to spend a minute with it. If you, as a creator, feel like a bit of a safe space for people, they are much more likely to consider what you are presenting and stay curious versus immediately shutting down or jumping to anger. It’s all about deescalating especially in digital spaces.

6. In "Let's Move the Needle," you provide a toolkit for art activists. What's one key piece of advice you'd give to someone looking to start their crafting journey?

Start by articulating your why. Identify your mission and vision for the change you hope to create and then find people who are already doing the work and watch, listen and learn from them. 

7. How has your experience as a queer, anti-racist, feminist, anti-capitalist individual in the art and activism world shaped your approach to community building through Badass Cross Stitch? How did you land with such a badass name?

My community building is rooted in community organizing. I’m not interested in the communities I form being centered around me. They are centered around change making and around the collective. I think that is why so many people are so happy to be in these communities. In a world of influencers and multi-level marketing scams, I am truly here to offer up a different way of being connected. Folks may join in something I’m doing because they enjoy my work but they quickly realize that I’m not there to tell them what to do. I’m just there to support their visions. 

Badass is my favorite adjective. It seemed fitting and if we circle back to my previous answer…it was an unexpected and amusing combination of words. 

8. As an educator and activist, how do you envision art contributing to long-term societal change?

I Pledge Allegiance, by Shannon Downey

Art has led change since the beginning of time. It has shaped culture, beliefs and attitudes. It exposes people to new ideas and new feelings. It demands to be seen and considered. It is an excellent mechanism for building and organizing community. Art uplifts and centers stories and lived experiences that are often silenced. Art is a powerful vehicle for communication across languages and cultures. It is an equalizer. Creating art changes your brain and softens your heart. Art changes society even when that is not the goal.

9. Can you discuss a moment when your work as Badass Cross Stitch challenged or changed your own perspectives on activism?

My approach to my digital spaces has evolved profoundly over the last decade as Badass Cross Stitch. I saw how quickly my work and words could impact people’s behaviors and how they interacted with each other particularly online. When I got started I didn’t realize just how careful I needed to be to ensure that I wasn’t contributing to the bad behavior that we see everyday on social media. I spend an inordinate amount of time considering what I am going to make, how I am going to express myself, what I’m going to ask of people, and how I will manage discussion before I post something. It’s exhausting but it is also absolutely required to ensure that I am not feeding people’s bad wolf. 

Shannon Downey, Badass Cross Stitch, artist and activist

10. Looking ahead, what's your vision for the future of craftivism in the ongoing fight for women's rights and equity?

It is my hope that everyone in the craftivism space will take an even more rigorous approach to their activism. I would love to see the movement go from craft-forward to activism with a side of craft. 

You can learn more about Downey and her work by visiting her website and following her on Instagram, Patreon and Substack

Aspiring craftivists should also take note of Shannon's 4th annual craftivism grant, a fantastic opportunity to kickstart your own activist art project. Applications open on October 1st and close on December 20th. For more information and to apply, visit badasscrossstitch.com/communityprojects/craftivism-micro-grant.

Shannon Downey aka Badass Cross Stitch is an artist, activist, craftivist, community builder, and general instigator. She moves people from passive consumers of art into engaged creators. Shannon leverages craft-based art forms to bring people together and offers them opportunities to transition from makers to change makers. Her work is about telling the truth and confronting harsh realities while simultaneously inspiring radical hope and a vision for what is possible.

Life in Seven Songs: Exploring the Soundtrack of Extraordinary Lives

What songs tell your life story? If you’ve ever found yourself belting out a tune in the shower or swaying to a melody that brings back memories, then you’ll love "Life in Seven Songs." This new podcast from the  The San Francisco Standard invites fascinating individuals to share their intimate biographies through the soundtrack of their lives, revealing how music shapes who we are.

A Deep Dive into Personal Narratives

Hosted by Sophie Bearman, "Life in Seven Songs" features bi-weekly episodes where guests share seven songs that mark significant milestones in their journeys. From trailblazing comedians like Margaret Cho to influential politicians like London Breed, each episode offers a unique perspective on the interplay between music and personal growth.

From Nude Dancer to Theater Icon: Rhodessa Jones' Musical Journey

We recommend starting your musical journey with a standout episode featuring Rhodessa Jones, a celebrated performance artist, activist, and theater icon. Jones takes listeners on a captivating journey from her days as a nude dancer to becoming a groundbreaking force in theater. Through seven carefully chosen songs, she reveals how music has shaped her extraordinary life and career, offering intimate insights into her artistic evolution and social activism.

Tune In to Musical Biographies

"Life in Seven Songs" premiered on June 18th and is available wherever you get your podcasts. For more information and to listen to Rhodessa Jones’ inspiring episode, visit lifeinsevensongs.com. Don't miss out on this musical journey through the lives of extraordinary individuals!

SEISMIC SISTERS GIFT SHOPPING GUIDE 2024: Products Made and Curated by Women

Here at Seismic Sisters, we love to support women-owned businesses. Each of these women-owned businesses offers not only lovely products but also meaningful stories and values that make their goods extra special. Shop these local gems to give gifts that are beautiful, thoughtful, and perfect for the holidays!

Curated by Tumay Aslay.
Cover image courtesy of Taylor Jay

Taylor Jay

Taylor Jay is an Oakland-based, woman-owned fashion brand that celebrates comfort, inclusivity, and sustainability. Founded by Taylor Jay in 2014, the brand focuses on designing chic and versatile pieces that empower women of all shapes and sizes. Perfect for the holidays, Taylor Jay’s cozy yet stylish pieces make thoughtful and sustainable gifts for the fashion-forward women in your life.

The Latch Key

Whitney Sharpe, founder of The Latch Key, crafts stunning ceramics inspired by meditation and mindfulness. Her handmade pieces—ranging from delicate jewelry to functional home décor—bring a sense of calm and intention to any space. Whitney’s work is deeply personal and artistically inspiring, making her ceramics ideal for gifting this holiday season. Whether you’re shopping for a minimalist or an art lover, The Latch Key offers truly memorable options.

Three Babes Bakeshop

Anna and Lenore, childhood friends and bakers extraordinaire, created Three Babes Bakeshop out of a shared love for food and community. Their dedication to using organic, seasonal ingredients shines in every pie they bake, from traditional apple to indulgent bourbon pecan. What sets them apart is their deep commitment to sustainability and social justice, making their bakery a destination for conscious foodies. With their pies packed in charming, reusable wooden boxes, these sweet creations are a perfect addition to holiday celebrations or as gifts for those who appreciate quality and care.

The Foggy Dog

Founded by Rose Shattuck, The Foggy Dog redefines pet accessories with style and purpose. Each product—whether it’s a chic dog bed or a colorful bandana—is made in the USA using eco-friendly materials. Beyond creating functional, fashionable pet goods, Rose is passionate about giving back, with every purchase supporting animal rescue efforts. Perfect for pet lovers, their beautifully designed items make thoughtful holiday gifts for anyone who loves their furry companion as much as family.

Farmgirl Flowers

Christina Stembel’s Farmgirl Flowers brings a fresh, sustainable approach to floristry. Known for their signature burlap-wrapped bouquets, Farmgirl focuses on using locally sourced blooms to reduce waste and support American farmers. Christina’s innovative model has transformed the flower industry, offering eco-friendly arrangements that are as stunning as they are sustainable. A bouquet from Farmgirl Flowers is a meaningful gift for spreading holiday cheer, with each one embodying thoughtfulness and care for the planet.

Iyoba

When founder Efiya Asabi couldn’t find natural remedies for her son’s eczema, she began creating her own, leading to the birth of Iyoba. Her handmade, plant-based skincare line features luxurious soaps, body butters, and hair care products, all crafted with love and eco-consciousness. Efiya’s mission goes beyond skincare, emphasizing wellness and sustainability in every product. Ideal for gifting, Iyoba’s offerings provide a perfect opportunity to treat loved ones to natural, handcrafted self-care this holiday season.

Rare Device

Rare Device, founded by Rena Tom, is more than a store—it’s a celebration of creativity and community. This beautifully curated shop features unique, artist-made goods ranging from handmade ceramics to quirky greeting cards. Rare Device is the perfect destination for finding one-of-a-kind holiday gifts that support independent artists and add a touch of charm to anyone’s home or life. If you’re looking for something truly special, this is the place to shop.

Alyssa Nicole

Alyssa Nicole, founded by Alyssa and Sonia Casares, is a luxury fashion line that celebrates craftsmanship and feminine elegance. Every piece in their demi-couture collection is meticulously handmade in San Francisco, making it a true work of art. From timeless dresses to ethereal accessories, Alyssa Nicole’s creations are ideal for anyone who appreciates high-quality, slow fashion. This holiday season, gift your loved ones a piece that’s not only beautiful but also tells a story of artistry and dedication.

Aplat

Shujan Bertrand’s Aplat embodies sustainability and thoughtful design. Inspired by the art of origami, Shujan creates zero-waste culinary totes, reusable wraps, and accessories that bring elegance to everyday life. Aplat’s products are perfect for eco-conscious friends or family members who love to cook, entertain, or simply live sustainably. These beautifully crafted goods make practical yet stylish holiday gifts that align with values of waste reduction and mindful living.

Monastery Made

Athena Hewett’s Monastery Made blends her Greek heritage with modern skincare expertise to create a line of botanical, minimalist products. From cleansing oils to hydrating serums, each item is designed to simplify skincare routines while delivering luxurious results. Perfect for anyone seeking radiant, healthy skin, Monastery Made offers holiday gifts that encourage self-care and relaxation. With elegant packaging and artisanal quality, these products are a joy to give—and receive.


Seismic Sisters does not endorse any of the Seismic Sisters Gift Guide products or services nor does it guarantee the quality, merchantability, appropriateness or availability of the products or services listed in the Seismic Sisters Gift Guide (or any other products or services sold on the linked websites).

The links are only provided as a courtesy to allow access to the referenced sites. It is your choice whether or not to purchase such gifts or services. Seismic Sisters will not make any money from the sales of the products and services and does not have any financial relationship with the linked sites.

Suffs: The Broadway Triumph Celebrating Women's Suffrage and Empowerment

By Polina Smith

In the vibrant Broadway musical "Suffs", composer and writer Shaina Taub takes center stage as Alice Paul, embodying the spirit of The Suffragists in their relentless pursuit of voting rights. This groundbreaking musical not only celebrates monumental changes in feminist history but also brings to light crucial aspects often overlooked. Premiering on Broadway April 18, 2024, after an initial sold-out run at the Public Theater, "Suffs" captivates audiences with its relevance and essential message.

The genesis of "Suffs" traces back to 2014, when Shaina Taub confronted her own lack of knowledge about the 19th Amendment and the fight for women's suffrage. Inspired by the resilience and determination of the suffragists, Taub embarked on a mission to illuminate their stories, recognizing the inherent theatricality of their struggle. She passionately believes that revisiting history is crucial to empowering women in the ongoing fight for equality.

But "Suffs" is not just a celebration of victories; it delves into the complexities and challenges of the suffrage movement. The rivalry between Alice Paul and Carrie Catt, portrayed with nuance and depth, highlights the tensions within the movement, while addressing racial disparities underscores the struggles faced by marginalized women. Through compelling storytelling, "Suffs" presents a nuanced portrayal of human character, showcasing both virtue and flaw in equal measure.

Shaina Taub's vision for "Suffs" extends beyond the stage, aiming to inspire audiences and ignite conversations about gender equality. With an all-female crew behind the scenes and the influential backing of Hillary Clinton and Malala Yousafzai, the show becomes a powerful platform for social change. Clinton, a stalwart advocate for women's rights, emphasizes the importance of honoring the sacrifices made by suffragists and recognizing the ongoing struggle for equality.

The "Suffs" message resounds loud and clear: "Keep marching" towards a future where gender equality is not just a dream but a reality. With its compelling narrative and powerful performances, "Suffs" serves as a poignant reminder of the progress made and the work that lies ahead in the pursuit of justice and equality for all.


Learn more about Suffs and find tickets at: https://suffsmusical.com/


About the author: Polina Smith is a talented theater producer and staff writer for Seismic Sisters.

Healing Hobbies & Fun Distractions

By Ariel Neidermeier

In the ongoing quest for justice and gender equality, it's vital we remember that the revolution isn't just fought on picket lines or at the ballot boxes; it's also nurtured in the quiet moments we spend recharging and centering ourselves. 

Studies have consistently shown that cultivating hobbies can enhance mental well-being, reduce stress, alleviate symptoms of depression, and uplift our spirits by activating the brain's reward pathways, producing feelings of happiness and satisfaction. Below, we invite you to explore a carousel of hobbies that promise not just relaxation but rejuvenation. Whether it's the focused calm of punch needling or the collective empowerment of wellness groups, each hobby offers a unique pathway to maintain our inner resilience. Remember, in the tireless fight for equality, taking time to soothe your spirit is not an indulgence—it's an act of rebellion. Rest, too, is revolutionary! 

Pottery 

There's something profoundly grounding about pottery. Shaping clay with your hands connects you to the earth and centers your spirit. Pottery demands focus and presence, pulling practitioners into the moment—a therapeutic break from the hustle of daily life. The end product, whether perfectly symmetrical or charmingly lopsided, stands as a testament to the calming power of this ancient art.

Pottery studios in San Francisco: 

Walking Clubs 

Walking not only improves physical health but also clears the mind and uplifts the spirit through natural scenery and fresh air. Participating in a walking club adds a communal aspect, providing support and motivation that can make the experience even more rewarding. It’s a chance to connect with others, share stories, and build community, all while enjoying the therapeutic benefits of being outdoors.

Walking clubs in the Bay Area:

Wellness Gatherings 

Wellness gatherings are a sanctuary for those looking to nurture their holistic health. These events can range from group meditation sessions to workshops on nutrition and mental health. Participating in wellness gatherings allows individuals to step away from their routine stresses and focus on personal growth and self-care in a supportive, communal environment. They offer tools and practices that not only soothe but also empower attendees to maintain their well-being beyond the gathering.

Wellness gatherings in San Francisco: 

Dance Classes

Dance classes offer a dynamic escape where you can express emotions through movement and rhythm. The physical activity of dancing releases endorphins, boosting your mood and decreasing stress levels. Beyond the biochemical benefits, dance fosters a sense of connection and joy, whether through the syncopation of a salsa beat or the grace of ballet. It's not just exercise; it's an exhilarating celebration of what your body can do, and can be a powerful antidote to both physical and emotional stress.

Dance studios in San Francisco:

Punch Needling 

Punch needling offers a rhythmic, tactile activity that can be both meditative and creatively satisfying. This craft involves poking a special needle through fabric to create loops of yarn to create in beautiful textured patterns. The repetitive motion can be soothing, helping to ease the mind and reduce stress. As you focus on the colors and patterns, punch needling allows a momentary escape, channeling anxieties into stunning pieces of textile art.

Punch needling resources:

Spotlight on Sisterhood: San Francisco's Summer 2024 Arts Guide

By Polina Smith

Whether you're a Bay Area local or plotting your summer escapade, get ready to immerse yourself in San Francisco's vibrant arts scene, where the spirit of sisterhood reigns supreme! From colorful murals to groundbreaking performances, the city is bursting with creativity, showcasing the talent and tenacity of female artists.

Image by SF Tourism Tips

Navigating this artistic wonderland is a breeze this summer, with a plethora of events and showcases celebrating the resilience and innovation of women in the arts. So, let's embark on a journey through San Francisco's cultural landscape and discover the gems that await us!

The Heart of San Francisco's Summer Arts Scene

While women continue to carve out their space in the art world, where they are still woefully underrepresented in public spaces, San Francisco's cultural scene is buzzing with female-driven initiatives that challenge the status quo. From intimate theaters to cutting-edge galleries, these spaces serve as platforms for amplifying women's voices and experiences.

Ventures like Brava Theater and Dance Mission Theater aren't just venues; they're sanctuaries for storytelling and self-expression. At CounterPulse Theater, expect to be transported to new realms of imagination, where art intersects with activism and community engagement.

And let's not forget about galleries like SOMArts and the Yerba Buena Center for the Arts, where women's art takes center stage, inviting us to explore the myriad facets of femininity and identity.

Image by Yerba Buena Center

  • Brava for Women in the Arts

Brava! For Women in the Arts is a beacon of inclusivity, celebrating artistic expression from women, LGBTQIA+ individuals, and marginalized communities. With a dynamic events calendar, there's always something to inspire and uplift.

Image by Brava!

Looking for a pre-summer pick-me-up? Don't miss the Jurassic Drag performances on May 20th and 21st, 2024! Featuring an all-star lineup of drag royalty, this show promises to dazzle and delight with its infectious energy and boundary-pushing creativity!

  • Dance Mission Theater

Dance Mission Theater is more than just a venue; it's a hub for cultural exchange and empowerment through movement. From captivating performances to transformative workshops, it's a space where women shine brightest, embracing their bodies and stories with unapologetic grace. Plus, it's home to the Dance Brigade, known for its kick-ass feminist dance moves aimed at changing the world.

Be sure to mark your calendars for the CubaCaribe Festival of Dance and Musi, from June 7th to 9th, 2024, where rhythm and revolution collide in a celebration of Caribbean heritage and resistance.

Image by Dance Mission Theater

  • CounterPulse Theater

CounterPulse Theater is a hotbed of experimentation and innovation, where artists challenge conventions and ignite conversations that matter. With its commitment to diversity and accessibility, it's a playground for creatives of all backgrounds to push the boundaries of art and activism.

Coming up, don't miss ARC Edge 2024, a showcase of visionary works by emerging artists Diana Lara and Gizeh Muñiz Vengel, or Block Fest 2024, where you can unleash your inner artist and craft your own masterpiece!

Image by Grey Tartaglione

More Events for Your Calendar

While some event calendars are still taking shape, keep an eye out for these upcoming highlights in the Bay Area:

●       Christina Fernandez: Multiple Exposures: June 7 through September 22 at San Jose Museum of Art.

●       Day Jobs: March 6 through July 21 at the Cantor Arts Center in Palo Alto.

●       A Movement in Every Direction: Legacies of the Great Migration: April 13 through September 22 at Berkeley Art Museum and Pacific Film Archive.

●       Solo Exhibitions of Women Artists: Experience works from Leilah Babirye, Mary Cassatt, Tamara de Lempicka, and Rose B. Simpson at de Young and Legion of Honor museums.

●       San Francisco Open Studios: Purchase work directly from female creators from September 19 through October 13, 2024 at San Francisco Open Studios.

Keep Your Eyes Open For More Great Events Coming Up For Summer 2024

From reveling in laughter with our favorite comediennes to cheering on badass women athletes, let's make this summer one for the books – filled with art, empowerment, and sisterhood.

About the author: Polina Smith is a theater producer and staff writer for Seismic Sisters.